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Adobe prelude cc file validation pro#
Included with Premiere Pro and After Effects, Frame.io for Creative Cloud offers a suite of real-time review and approval tools, lightning-fast media sharing, direct Camera to Cloud transfers, 100GB of storage, and unlimited reviewers. Included with Premiere Pro and After Effects If you want to get really in depth, my DIT Derek Johnson covers every aspect of being a DIT in the Camera Technician Series: The Art and Science of Being a for Creative Cloud. Here’s a few of my own LUTs for you to try out while your at it: Just stop dragging and dropping and start protecting your footage by using the DaVinci Resolve clone tool. That way everybody’s life is that much easier later in post! Haha, I’m getting a little ahead of it, we’ll get to those lessons another time. But now you should be adding in mission critical metadata tags for the editors, syncing sound to footage, and burning timecode and LUTs into proxies. The point being, not only do I now expect you to be backing up data correctly. What I really love is that all this cloning and managing of data you’re doing on set is inside the exact same app where you can edit, color, mix your sound, make your coffee, pick up your dry cleaning… alright I got a little carried away there, but you get the point, Haha! You’ll be able to scrub through the footage to confirm you’ve cloned the correct contents and check to make sure everything is ok. Right click on the cloned drive and choose “Add into Media Pool”. Once you’ve cloned your card you need to make a visual confirmation of the footage. Repeat step 4 with at least one more separate drive.Ī progress bar will giving you an estimate on how long the job will take.ħ. Now just open up your intended destination, and again, just drag and drop to where it says “Destination” to set your destination folder.ĥ. And to be clear, setting up your transfer is the only time you should be just dragging and dropping -)Ĥ. In this case it’s a RED Mini Mag and we’ll be transferring all of it’s contents. Drag and drop the item you want to clone onto where it says “ Source”. Inside the Clone workspace create a new job by clicking the “ Add Job” button.ģ. In the Media tab, click the “ Clone Tool” icon in the upper left of the Media Pool toolbar.Ģ. Here’s what you need to do in DaVinci Resolve:ġ.
Using any checksum will take a little longer than just dragging and dropping, but it’ll take a lot less longer than having to re-shoot a scene because you had corrupt or lost files.
Adobe prelude cc file validation verification#
Most of the crew at Hurlbut Visuals are actually using DaVinci Resolve now to transfer footage because of the checksum verification feature. His desk is so clean, where’s all the wrappers and soda cans? That’s Blackmagic Design’s DaVinci Resolve clone tool. Adobe CC has Prelude, RedGiant has “OffLoad” and then there are ShotPut Pro and Silverstack which I see on set all the time, and while all of these tools work, they still cost money and are plugins, or independent apps, and there great, but I want to focus on one in particular, because I don’t want you to have any excuse not to follow the right protocol. I’d say it “makes sure nothing got screwed up” – same difference! There are a few apps, plug-ins, and dedicated data management tools that employ a checksum and other tasks that help to manage your data. A Checksum serves the “purpose of detecting errors which may have been introduced during its transmission or storage” -that’s how Wikipedia puts it anyways. To do that, you’ll need a program that runs a checksum verification. You need to verify the footage was transferred, and transferred perfectly. They don’t even consider the necessary protocol needed to correctly duplicate the footage to multiple drives and visually confirm that it’s the correct footage. So many filmmakers just drag and drop their footage, never thinking anything of it. Let’s just talk about one aspect of that protocol, copying and backing up your media. I’ve seen it happen to even experienced data wranglers, DITs, and ACs, and you know what the common denominator always was? Not following protocol. But I’ve seen times where that’s not even an option and shots were totally lost. If you screw up, the only solution would be to re-shoot. How you handle receiving that little piece of media and what you do with it has tremendous effect on you and those around you. The entire budget of your shoot, and all the work of the cast and crew, rest there in the palm of your hand. If you don’t listen to me, then at least listen to Elmo and Jack Black.Īt some point there may come a time when the entire day’s worth of shooting exists on some small piece of silicon that fits in the palm of your hand.
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